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At SF’s FOG Fair, Dealers Tempt Tech Collectors

January 15, 2018 by Elena Platonova

Stan Douglas’s photographs at David Zwirner’s booth at FOG

Elena Platonova is an art advisor, writer, and curator in New York, London, and San Francisco. Her Instagram handle is @ElenasArtAdventures

San Francisco’s FOG Design+Art Fair opened its fifth edition this past Wednesday in an atmospheric, waterfront building at Fort Mason, formerly occupied by the US army. With 45 galleries in attendance, what material did local and visiting dealers bring along in hopes of attracting armies of potential buyers?

San Francisco has a fair share of long-time art patrons of a traditional kind. Yet, art and design purveyors are certainly taking note of the major demographic shift in the foggy Albion of the West Coast, home to an increasingly growing number of potential new entrants to the collecting field, who are amassing quick fortunes by harnessing the power of technology.

Some dealers took a fairly straightforward path and displayed work by artists that they know locals already collect, perhaps hoping that they will do so in depth or inspire their social circle to follow suit. Take, for instance, Lévy Gorvy Gallery’s display of photographs by Diane Arbus. The artist is favored by serial start-up founder and member of a deep-rooted San Francisco family, Trevor Traina. Traina once paid a then-record price of $600,000 for Arbus’ iconic “Identical Twins” photo, a well-publicized fact that did not escape the attention of the dealers.

In a similar fashion, David Zwirner Gallery thoughtfully displayed two monumental interior shots by photographer Stan Douglas at the opening section of the fair, which was certainly meant to grasp the attention of Pamela and Richard Kramlich. Work by Douglas graces the home of the local power duo, who are also major collectors of video art.Continue Reading

San Francisco Wants an Art Fair

December 15, 2010 by Marion Maneker

An announcement came round today of a new art fair in San Francisco that will be held from May 19-22. The organizers are looking for galleries. With all the speculation around new fairs going into LA, California is edging out virtual space for the most new art fairs:

artMRKT San Francisco will be a premiere International Art Fair devoted to the presentation of important artwork from the 20th and 21st centuries with a focus on San Francisco galleries and artists.

In its inaugural year, the show will combine a selection of leading galleries with a thoughtful program of art events and exhibitions at the fair venue and throughout the city. Showcasing new artists alongside historical material, artMRKT will create an ideal context for the discovery, discussion and placement of artwork.

The show will be held in the Concourse Exhibition Center in downtown San Francisco, a 57,000 Square Foot repurposed train station that provides a centrally located stage for our event. For venue information and a floor plan please visit www.art-mrkt.com.

Bonhams & Butterfield Asian Works of Art Bonanza

December 13, 2010 by Marion Maneker

Bonhams had an unexpected bonanza today when its Asian works of art sale in San Francisco was raided much like every other Asian works of art sale that’s taken place around the globe in the last few months.

All of the top ten works sold for huge multiples of their estimates but the biggest shocker was another Qianlong piece of pottery that sold for $7.65m despite a $10-15k estimate range.

The whole sale took in $19m with the top ten works accounting for the majority of that sum.

The Murals of San Francisco

August 18, 2010 by Marion Maneker

Thinking About Immortality

June 6, 2010 by Marion Maneker

Carol Kino’s New York Times story on the Fisher’s art collection beginning to see the light of day at SFMoMA has this interesting comment about collectors and collecting:

As Allan Schwartzman, a veteran Manhattan art adviser and curator, observed, many major collectors these days are “thinking about immortality.” The Fishers’ art, which he has seen often, is “one of the great collections assembled in our time,” he added, but the couple “always wanted to maintain their privacy.”

Robert Fisher, their eldest son, added that their silence was also motivated by the idea that “there was no real benefit to the company or anybody else for my parents to talk much about it publicly.”

It’s not clear how the Fishers plans to build their own museum on the Presidio fits with this privacy theme but Schwartzman does make a good point about collectors seeking to outlive their temporal enjoyment of their art.Continue Reading

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