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Sotheby’s Announces $150m+ Modigliani

April 24, 2018 by Marion Maneker

Sotheby’s has announced this morning in a live event from Hong Kong that it will be offering a Modigliani nude with an estimate in excess of $150m. The painting was the cover image of the recent Modigliani exhibition at the Tate in London.

According to Sotheby’s, there are only 22 of these nudes. In November of 2015, Liu Yiqian bought one for $170m and placed it in his Long Museum in Shanghai. Steven Cohen sold one to Yves Bouvier for $93m; Bouvier turned it around quickly to Dmitry Rybolovlev for $118m. The present work was sold at auction by Steve Wynn in 2003 for $26m. The current seller is said to be Irish horse breeder John Magnier who bought the work in 2003.

The Modigliani reclining nude is clearly a market indicator charting the dramatic rise in value of these works over the last 15 years. According to Sotheby’s, there are 22 of these works concentrated in New York museums where the Guggenheim, MoMA and the Met each have three examples. The Courtauld Institute has another. Only nine remain in private hands.

The Hong Kong announcement indicates Sotheby’s marketing focus where private museums are being established all over the country.  The subject matter does limit the appeal to Gulf state museums which are usually the focus for works at this level. The painting has an irrevocable bid.

Coming directly after being featured in a major museum show as so many museum buyers contend for seminal works of art, the Modigliani reclining nude could not have a better marketing set-up.

Art Historians Declare Modiglianis from Genoa Show Fakes

January 10, 2018 by Marion Maneker

Twenty of those 21 paintings from the Modigliani show at the Palazzo Ducale in Genoa that were impounded by the Carabinieri after Carlo Pepi filed a complaint last Summer have been examined and declared fakes.

Isabella Quattrocchi, a consultant who was brought in by prosecutors to study the paintings, said they were “blatantly fake”. […]

Marc Restellini, a French expert on Modigliani, said: “It is indisputable that the works are fakes and I have presented the proof. I’ve given all the information in my possession to the Carabinieri in order to explain how this counterfeiting system works.”

Three people are now under investigation for the alleged fakes, including Rudy Chiappini, the curator of the art exhibition, and Joseph Guttmann, a Hungarian art dealer who owns 11 of the works.

Modigliani paintings thought to be worth tens of millions denounced as fakes (Telegraph)

Scholars Get Ready for Modigliani-mania at the Tate

May 4, 2017 by Marion Maneker

Modigliani, Reclining Nude from the Back (Barnes Collection)

Forget the heavy breathing in Vanity Fair’s headline. Forget the well-known backstory of the various efforts to make sense of Amadeo Modigliani’s output. Milton Esterow’s story reminds us that this Fall will be a another opportunity for Modigliani-mania.

Meanwhile, the market is only beginning to try to come up with alternatives to a traditional catalogue raisonné as a means to tell a real Modigliani from a fake one:Continue Reading

Modigliani Claimed in Restitution Suit

November 1, 2011 by Marion Maneker

The Courthouse News Service has this suit against the Helly Nahmad gallery:

Philippe Maestracci sued the Helly Nahmad Gallery, seeking return of the 1918 Modigliani painting, “Seated Man With a Cane.” Maestracci says he is sole heir of Oscar Stettiner, a Jewish art dealer who owned a Paris art gallery, and the Modigliani painting. […] In 1939 Stettiner was forced to flee Paris “with the threat of Nazi invasion looming,” leaving his art collection behind. […] Stettiner died in 1948. Since then his heirs “have made reasonable and diligent efforts” to find his art collection, Maestracci says. He says he located it in 2008, when Sotheby’s published it as being consigned for sale by the Helly Nahmad Gallery.

Man Demands Nazi-Looted Modigliani (Courthouse News Service)

Bonhams Touts Modern Works for London in June

May 19, 2011 by Marion Maneker

Bonhams put out a press release yesterday featuring these works from their June 21st London sale:

The current highlight of the sale is Portrait de Femme by the Italian artist Amedeo Modigliani which was painted circa 1917-1918. Modigliani is renowned for his portraits of women, and this is a fine example which comes to the market from the Grace Vogel Aldworth Trust.  It is estimated to fetch £1.5-2.5 million.

Nu, Etude pour ‘Les Demoiselles d’Avignon’ (1907) by Pablo Picasso is also expected to generate a lot of interest.  The watercolour and gouache study is one of a number of works that Picasso created in preparation for his finished masterpiece, and is recognisable as the figure on the lower right of the final composition. The study manages to communicate the sense of violent energy that Picasso’s final picture stands for, and reflects the influence of African tribal art on his work.  It is estimated to fetch £300,000-500,000.  Other Picasso works in the sale include Tête de matador (£150,000-200,000), Femme nue assise (£165,000-175,000) and Personnages (£20,000-30,000).

 

 

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