Julian Schnabel defends his friend Dennis Hopper from accusations that the actor, photographer and art collector was a dilettante, in Jori Finkel’s excellent story in the Los Angeles Times:

“What is a dilettante anyway?” he continued. “How hard is it to be an actor and wait for directors to get a job? Are you a dilettante because you do what you want, or a professional because you’re getting paid?”

He went on to describe Hopper as a conceptual artist with a painter’s eye, who saw paintings in everyday life. He glanced at a wall of new photographs: color-drenched digital images printed on aluminum, “taken right from Dennis’ camera” and printed for the show. These shots, like a close-up of a building wall painted a brilliant red, verge on painterly abstraction.Continue Reading