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Tyeb Mehta Leads Sotheby’s First Boundless India Sale

November 13, 2018 by Marion Maneker

Tyeb Mehta’s Durga Mahisasura Mardini, 1993 ($2.7-4.1m)

Sotheby’s will hold its first Boundless India sale on Thursday 29 November at The Taj Mahal Palace Hotel with 60 lots spanning Modern and Contemporary South Asian Art, photography and design estimated to make INR 43.1- 62.9 crores / US$ 6-8.7 million. The lead lot is Tyeb Mehta’s Durga Mahisasura Mardini, 1993 ($2.7-4.1m) which was commissioned directly from Mehta in 1993 and has remained in the same family since then. Along with that significant painting is Amrita Sher-Gil’s The Little Girl in Blue from 1934 ($ 1.2-1.7m) painted when the artist was 21 years old. This work would be the seventh work of Sher-Gil’s ever brought to auction. It has remained in the same collection for 80 years, since it was chosen by the artist for her first solo show in 1937.

Arpita Singh’s Men Sitting, Men Standing, 2004 ($164-245k) and  Francis Newton Souza’s Untitled (St. Paul’s Cathedral), 1961 ($123-150k) painted when Souza had moved to London are also featured works in the sale.

The sale is also distinguished by nine lots belonging to Balkrishna. V. Doshi, one of the world’s greatest architects and the only Indian to be awarded the highly prestigious Pritzker Architecture Prize. The sale includes paintings, drawings and furniture created by B.V. Doshi himself, alongside a selection of works from his prized collection.

Gaurav Bhatia, Managing Director of Sotheby’s India, said: “Balkrishna V. Doshi built his collection with the same delight, passion and inquisitiveness that marks out all great collectors. Like his buildings, the collection presented here is supremely refined, stylishly theatrical, and forward-looking. One might draw a parallel between the huge influence of Amrita Sher-Gi and B.V. Doshi on the Indian aesthetic – both brought fresh thought and style to the Indian artistic landscape. With this auction, Mumbai will become Sotheby’s tenth sale location in the world. As the global footprint of Indian artists, curators and collectors continues to expand, we are affirming our commitment to the future of the art market in South Asia. Boundless offers the best of art created in, and inspired by, India, providing a snapshot of a century of artistic production. Suitably, the sale will be led by one of the most valuable works of South Asian art ever to come to auction. Tyeb Mehta’s
landmark depiction of Durga truly evokes India’s spirit, even down to the symbolism of its saffron, white and jeweled green colours. ”

Yamini Mehta, International Head of Modern and Contemporary South Asian Art at Sotheby’s: “With Boundless: India we celebrate the storied past and bountiful future of Indian art through the 20 th centuries. We look at the onset of independence in 1947 and how it brought about a
veritable renaissance in the art scene, as well as acknowledging exceptional works by leading Contemporary artists practicing today. This pantheon includes Amrita Sher-Gil, a rebellious libertine well ahead of her time, and portentously trying to make the most of her short time on earth” The carefully chosen works to appear in this auction have many interwoven connections between the influences of Europe and between the worlds of design, architecture and photography. The works by leading international photographers are prime examples of the dynamism and inspiration that artists from across the world received from India. Boundless is ultimately about opening the eyes to the
beauty of Indian art and the culture inspired by the Subcontinent in all of its manifestations.”

 

 

Christie’s Gears Up for Second Auction in India This December

July 25, 2014 by Marion Maneker

Christie's first India Auction

The Business Standard talks to Christie’s Sonal Singh about the company’s future plans in India:

What next after Christie’s maiden auction in India, held last year?

We were overwhelmed by the response. We are now planning for the next auction that is likely to be held in the first half of December. The date and venue will be announced soon. The team has already started sourcing for the sale.

While last year, most of the lots were from the estate of Kekoo and Khorshed Gandhy with 30 lots from other private collectors, this year 80 to 100 lots will feature both modern and contemporary works. We are in a privileged position to sell non-exportable national treasures within India. Last year we featured six of the national treasures.

Amrita Sher-Gil and the three Tagores — Rabindranath, Abanindranath and Gaganendranath — are on our wish list. The idea is to showcase the growth of Indian modern and contemporary art across the country — be it the Bengal school, the Progressives in Mumbai, the Baroda school of art and the Chennai style. The auction should be representative of all regions and schools of art prevalent in India.

The auction brought VS Gaitonde into the spotlight in the international art market. What is the international standing of Indian art?

VS Gaitonde is one of our most important art abstractionists along with Nasreen Mohamedi. It’s not easy to get a Gaitonde piece, he made only six to eight a year. Last year, we had one very early painting and another one from the 1970s. So these two represented two very different aspects of his career. We promised to loan the works to Guggenheim for the Gaitonde retrospective, no matter who bought it.

We work with museums for things like that, it is about building the art market. We also supported shows of MF Husain in London this year. As far as the international art world is concerned, India is already on the map. There is a Nasreen Mohamedi exhibition at Tate Liverpool till October 5, 2014.

Christie’s next auction in India to be held in December: Sonal Singh  (Business Standard News)

Sotheby’s: Indian Buyers Show 33% YoY Growth in Value of Purchases

February 3, 2014 by Marion Maneker

Sotheby's India Photo

Robin Woodhead explains why Sotheby’s is taking their time in India focusing more on developing relationships with buyers than holding auctions in country:

Do you regret not being in Christie’s place in terms of having a sale here?

No. I don’t think that we need to hold auctions to be successful in the Indian market and the fact that we are still auctioning some of the great works of Indian art is a testimony of that. We will certainly watch the space and other auctions that are held here to see what pattern emerges out of it.

When will Sotheby’s conduct an auction in India?

We did have an auction in the 90s here. However, having said that, it (Christie’s success) does not mean that we will necessarily have a sale immediately in India. Right now we are principally focusing on connecting with collectors. We do it all the time. We make long-term commitment to the market. But, one of the facts that we are watchful of is that many of the buyers are actually from outside India.

At what rate is the number of your Indian clients growing?

Among the established collectors, we are seeing a 33% growth in the value of things they buy year-on-year. This reflects that our focus is not just on new buyers but also developing relationships with the existing ones. The new client base is also growing at an average of about 25% every year.

Sotheby’s to open India office soon, in no hurry to hold auction (Economic Times)

Should India Invite the Great Museums of the West to Build There?

June 25, 2012 by Marion Maneker

India’s Kishore Singh is on holiday in Europe which gives him a good idea on how to promote interest in art at home. After all, he observes, Indian tourists are keen to visit Western museums when travelling abroad:

A logical next step would be to invite the top institutions of art to open branches in India. If Abu Dhabi can conceive of the Guggenheim and the Louvre in the sheikhdom, why can’t we have the V&A in New Delhi, the Tate Britain in Mumbai? Not only does it mean that more of their collections will get an airing, it might even provide the impetus for Indians to get into art and antiquity viewing. For now, it is almost impossible to motivate Indians to step inside a gallery or a museum in India, though they appear to have no issues when it comes to signing up for a Monet or a Turner exhibition in London or Paris.

 Queue Up for Art (Business Standard)

Wealthy Indian Families Get Dose of Reality

January 20, 2012 by Marion Maneker

On the eve of the the India Art Summit, Forbes India finds a silver lining in the art market reset that so many Indian Contemporary artists experienced in the wake of the credit crisis:

Richa Karpe, director at Altamount Capital, a firm that specialises in advising rich families on investments, says that 2008 was good because it brought a sense of reality. “Every artist cannot be a collector’s item 50 years from now,” says Karpe. She says she gets scared when a family asks her to take them around and make them buy art. “It is dangerous territory to get into, as the objective is ‘how much money will I make?’.”

Dealing with the Young at Art (Forbes India)

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