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Derain London View from Tate Show Goes to Christie’s

February 5, 2018 by Marion Maneker

Christie’s unveiled this morning a Fauve work for its London Impressionist and Modern sales at the end of the month:

André Derain’s Londres: la Tamise au pont de Westminster (1906-07, estimate: £6-9m) will star in Christie’s Impressionist and Modern Art Evening Sale on 27 February. One of 29 recorded paintings of London that Derain painted across 1906 and 1907, it comes to auction alongside the exhibition ‘Impressionists and London’ currently on view at London’s Tate Britain. Londres: la Tamise au pont de Westminster is captured from the Albert Embankment, portraying the Thames, the Palace of Westminster, Westminster Bridge and, in the background, the pyramidal silhouette of Whitehall Court. The painting will be on view in Hong Kong from 5 to 8 February and New York from 12 to 14 February 2018 before being exhibited in London from 20 to 27 February 2018.

Just a few months before he ventured to London, Derain had made his explosive debut into the Parisian art world when he was included in the Salon d’Automne of 1905. Derain’s work at the Salon caught the eye of one of Paris’ leading contemporary art dealers, the man who had, a few months earlier, introduced the artist to Matisse: Ambroise Vollard. Vollard became his dealer later that same year and it was his idea to send Derain to London and commission him to paint a series of cityscapes there. With Monet’s famous series of Thames views set firmly in his mind, over the course of his time in London, Derain travelled across the city in search of his subjects, sketching an array of different views. Unlike Monet, whose depictions of the city had centred around three specific viewpoints, Derain was not fixed to one specific location. Instead he captured the city from a range of positions, never returning to an identical subject twice in an attempt to challenge himself with each work. The notorious London fogs for which London was so well known, and under whose spell Monet had fallen, proved strangely elusive for Derain. As a result, Derain did not pursue the same muted, soft effects of light and colour that this atmospheric condition cast over the appearance of
the city, but rather focused on more radical formal experimentation.

Keith Gill, Head of Sale, Impressionist and Modern Art Evening Sale, Christie’s, London: “Among the most iconic works of Fauvism, many of this rare series of London paintings are now housed in museum collections across the world, including the Musée d’Orsay, Paris; Museum of Modern Art, New York; The Metropolitan Museum of Art, New York; and the Tate Gallery, London, where a selection of other works from this groundbreaking London series are currently on view in the exhibition, ‘Impressionists in London’. Following the widely acclaimed exhibition of Derain’s work of this period at the Centre Pompidou, Paris, we are honoured to present this rare Fauvist work in our Evening Sale in London.”

Derain’s Matisse Leads Christie’s May NY Sale

March 22, 2013 by Marion Maneker

Derain_Madame Matisse au kimono

Carol Vogel got some early Spring auction announcements today with this work starring Christie’s Impressionist & Modern Sale:

Christie’s Impressionist and modern art auction on May 8 will feature another historically significant canvas: “Madame Matisse au Kimono,” a 1905 portrait by André Derain, the Fauve painter. Better known for his sun-dappled landscapes than his portraits, he made this work during the first of two summers he spent with Henri Matisse in Collioure, a French Mediterranean fishing village near Spain where they painted side by side. That was the mythical summer right before the Salon d’Automne of 1905, when the public was outraged by these artists’ seemingly violent palettes — when colors, as Derain later said, became “like sticks of dynamite.”

A Fascination with Japan (Inside Art/New York Times)

Sotheby's Imp/Mod London Preview Video

June 17, 2010 by Marion Maneker

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