Last week, the folks at Artnet published some data on David Hockney’s market, including a breakout of the sales of Hockney’s prints and multiples. Turns out the Hockney multiples market has more complexity and volatility than market for his paintings.
Colin Gleadell went into greater detail. He points out that Hockney’s penchant for trying new media has meant that his multiples market is also segmented by collectors who are interested in the specific experiments made possible by each of the mediums.
He breaks it down thus:Continue Reading