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Antiquities Go to TEFAF

March 2, 2011 by Marion Maneker

The Financial Times highlights the rise of antiquities on the auction market by looking at what’s on offer at TEFAF this month where antiquities dealers are joining Modern and Old Master dealers to appeal to eclectic collectors’ taste. At TEFAF, part of the appeal is buying without the pressure of an auction compeititon:

Auctions are achieving the kind of prices that dealers could never dream of asking. “If there is the right mix of essential ingredients – rarity, aesthetic appeal and provenance – the sky seems to be the limit at auction,” says London dealer Rupert Wace. […] Rupert Wace, for instance, unveils a documented but previously unpublished – and exceedingly rare – Neolithic Aegean female idol of around 5300-4500BC, some 2,000 years older than most Cycladic figures, which turned up recently at auction in Strasbourg. […] Despite her scale, this idol has great presence and resonance, and no one with any feeling for the past could fail to be moved by holding her. A Cycladic figure of around 2400BC sold for a record $16.9m at auction last year; its pre-sale estimate was $3m-$5m. This one comes at €1.2m ($1.6m).

Figures from History (Financial Times)

Christie's Antiquities = $34m

December 9, 2010 by Marion Maneker

Sotheby's Antiquities VO = $9.24m

December 8, 2010 by Marion Maneker

The Medici Conundrum

October 28, 2010 by Marion Maneker

The Independent explains the bind the auction houses are in with the Medici Dossier, a file of 20,000 photographs held by the Italian police identifying works sold by Giacomo Medici who dealt in looted antiquities. The auction houses and the Art Loss Registry have no access to the dossier which complicates the work of identifying looted works that find their way to auction:

Selling goods once owned by a notorious art thief would undoubtedly sour the reputation of Bonhams, one of the most reputable auction houses in the world. But Bonhams was aware of the potential criminal link between lots 94 and 95. Days before the auction the house received an email from an eminent academic alerting them to the questionable provenance of the lots, but it pressed ahead with the sale.

The Italian authorities refuse to share the Medici Dossier with auction houses or the Art Loss Register, the international body which authenticates ownership of works of art. This makes it difficult to remove items for sale even if they are cited as being pictured in the dossier, potentially leaving British auction houses open to the accusation that they are dealing in stolen goods.Continue Reading

Getty Curator's Trial Ends on Statute of Limitations

October 14, 2010 by Marion Maneker

The long-running trial of Marion True came to an abrupt end when a court ruled that the statute of limitations had passed on the charges. Despite having to leave her position at the Getty when the trial commenced five years ago, Marion True has been released by a court in Rome. The New York Times’s Elisabetta Povoledo spoke to Maxwell Anderson to explain the import of the trial:

The trial was a wake-up call, he added. “The notion that a single curator could be indicted for what was a practice of American museums led us to review how American museum collections were being built, ” he said. In 2008 the association adopted a “no provenance rule” forbidding members from acquiring antiquities that could not be adequately vetted. Ms. True “sacrificed herself on behalf of other museum directors in America,” Mr. Anderson said.Continue Reading

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