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Asian Buyers Like Flowers, Sotheby’s Gives Them $10m Hockney Sunflowers

February 5, 2020 by Marion Maneker

David Hockney, 30 Sunflowers, 1996, (HKD80m)

Sotheby’s is taking advantage of the London crowds viewing Contemporary art in advance of the sales next week to unveil a David Hockney painting that will be auctioned in their Hong Kong Evening sale of Contemporary art to be held on April 6th. The large six foot square painting, 30 Sunflowers, was sold in 2011 long before the run-up in Hockney’s market, at Phillips for $2.5m,. It previously had only one owner. The work is being offered with its estimate upon request, a way for the auctioneers to adjust expectations against reactions. But the whisper number is set at HKD80 million or around $10 million.

Sotheby’s calls the painting, “a magnificent update of the classic still life for contemporary times, bearing strong reminiscence to Vincent van Gogh’s iconic Sunflowers while articulating an unabashedly radical yet intimately personal approach.” If that were not enough, Sotheby’s goes on to rapturiously describe the work as “radiant, exuberant, and deeply poignant” before concluding that it is “the supreme quintessence of Hockney’s mature artistic output.”

The painting will be unveiled at Sotheby’s London on Friday, February 7th before traveling to Los Angeles, Jakarta, Hong Kong, and Taipei.

Why the Asian tour? Yuki Terase, Sotheby’s Head of Contemporary Art, Asia  says “Having witnessed substantial interest in Hockney amongst Asian collectors in our international sale locations, this was a natural move for us. The flower still life is furthermore a popular motif for Asian audiences”.

30 Sunflowers was featured on the cover of the catalogue for Hockney’s 1997 exhibition, “Flowers, Faces and Spaces.” It was painted the year before when Hockney turned 60 and during a time of personal turmoil and loss. The flower still lives marked the artist’s return to figurative painting after a decade working in photography.

In response to Hockney’s experience at exhibitions of work by Monet and Vermeer in Chicago and The Hague, Hockney painted a series of twenty-five or so flower still-lives. But only two of the paintings are on the scale of this one; the other is a less intricate and exciting Halaconia in Green Vase.

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About Marion Maneker

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