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New and interesting takes on the sales at Art Basel keep coming even though the fair is now over.

Here’s Sam Orlofsky on Twitter talking about a major shift in demand:

The thing NONE of these Basel postmortems have identified is the impact of the END of the private foundation boom. We had a 15+ year run of dozens of collections using these fairs like “Supermarket Sweep.” Every single booth could get bailed out by a visit. No mas.

— sam orlofsky (@SamOrlofsky) June 18, 2018

Artsy wraps up the fair with some more PR work by Marc Spiegel trying to deflect the issue of whether Art Basel is responsible for the pressures on independent galleries, including the first mentions of the fair’s editorial initiatives which have added cost to the firm with dozens of new hires but yet to really leverage the fair’s massive social media footprint.

Here are the sales Artsy gathered:

Susanne Vielmetter Los Angeles Projects

• one new collector had seen a painting by Sadie Benning featured on Art Basel’s website, then came and bought it
• sold four other Sadie Benning paintings
• three Charles Gaines tree works
• a painting by Nicole Eisenman
• three paintings by Samuel Levi Jones
• a large selection of over a dozen photographs by Pope.L that all went to a single collector in Vancouver.
• Prices in the booth started at around $10,000 and went up to around $200,000

Kate McGarry Gallery

• three sets of Samson Kambalu’s Mboya Series (2016) for £15,000 each
• some of B. Wurtz’s pan paintings for £4,000 to £7,500
• Francis Upritchard’s Octopus with Fish (2017), which had appeared in last year’s Venice Biennale, for £30,000, as well as several works not on the booth

Pilar Corrias

• a corner painting by Madani
• a glass mosaic work, Zarina, from a new series by Sikander for $90,000
• a set of Ian Cheng drawings; a painting by Self
• another painting by Quarles, with prices in the booth from $20,000 to €250,000

Melanie Gerlis had these sales in the Financial Times:

Maureen Paley

• Rebecca Warren’s painted bronze “Aurelius” (2017) to a foundation in Spain (£380,000)

Paula Cooper

• Christian Marclay’s “80 East 11th Street” (1990-91), a painted wooden door and sound recording, which went to a US collector ($500,000)

A confusing mix of impressions continue to come out from Art Basel as dealers plump for this year’s fair. Observers inside the fair like Josh Baer have remarked upon high asking prices which, he concludes, may have offset diminishing sales, especially for second-tier or ancillary objects like drawings or preparatory works.

But the dealers offer superlatives in a variety of outlets. Here’s a snippet from Reuter’s report:

Marc Glimcher, who heads one of the world’s biggest gallery enterprises, Pace, said: “Art Basel is always good, but it isn’t always this-year good. I think many people had the best first day of Art Basel they’ve ever had.”

Scott Reyburn makes the odd case in the New York Times that Art Basel was dominated by blue chip buying—supposedly the result of “today’s polarized and ‘financialized’ art world”—but then offers these examples of artists no one considers blue chip like Cathy Wilkes.

“Everyone is doing the same thing, with more or less success,” said Sebastien Montabonel, a London-based art consultant who specializes in advising institutions, referring to the proliferation of Mitchells, Condos, Longos and Kapoors on offer downstairs. “They’re showing what the bank manager wants to buy,” he added.

JTT

• Doreen Garner, “Red Rack of those Ravaged and Unconsenting,” priced at $40,000, was bought by a European collector

Morán Morán,

• sold its entire booth of recent works by Jacolby Satterwhite, including a mixed-media installation, videos, a virtual-reality piece and wallpaper, this sold to an Israeli collector for just under $100,000

Judd Tully continues to get the goods, including finally getting some prices from Jack Shainman:

Sperone Westwater

• sold Bruce Nauman’s new Contrapposto Split, a 3-D video projection that turns the exhibition space into an extension of the artist’s studio to an anonymous buyer for a seven-figure sum
• Leaping Foxes, a new hanging sculpture that went for seven figures to the Emanuel Hoffmann Foundation

Jack Shainman Gallery

• sold was Lynette Yiadom-Boakye’s Invincible (2018) for $150,000
• Barkley L. Hendricks, Greg(1973) sold for $1.8 million
• sold Nina Chanel Abney’s canvas Anytime, Any Place (2018), for $60,000
• Kerry James Marshall’s 2018 painting Vignette (The Kiss), 2018, for a tight-lipped, no-comment price

Neugerriemschneider gallery

• Ai Weiwei’s huge cast-iron Iron Root(2017), which sold for just over $1 million
• Rirkrit Tiravanija’s Untitled (Freedom Cannot be Simulated), which was bought by the German government for just under €200,000 ($232,400)

David Kordansky Gallery

• Sam Gilliam’s bevel-edged 1971 abstraction Repeat sold to an American collector for $850,000
• The gallery also sold two major works currently in the first-rate Kunstmuseum Basel exhibition “The Music of Color: Sam Gilliam, 1967–1973,” one to a major European institution and another to a board member from another museum, at prices between $1.4 and $2 million

Galerie Kamel Mennour

• a stunning 2007 Zao Wou-Ki watercolor abstraction fresh from the artist’s estate sold for €560,000 ($650,800)

Cheim & Read

• Joan Mitchell’s large (some 9 by 5 feet) violently gestured abstraction Red Tree (1976), which sold for around $6 million to a European collector

Marianne Boesky Gallery

• sold a new Frank Stella painting, Red Star (2018), for $550,000
• sold from the booth was Donald Moffett’s 2018 Lot 052018 (Cerulean), for $180,000

Kukje/Tina Kim Gallery

• Geneva-based collector Gabriel Safdie was ecstatic over his backroom purchase of Alighiero Boetti’s Trail of Thoughts, which was woven by women in Afghanistan in the ’80s, for $150,000

Acquavella Galleries

• a Keith Haring painting Untitled, from 1984, measuring around 5 by 5 feet, sold in the region of its $4.5 million asking price

Julia Halperin collected these sales for artnet:

Blum & Poe

• sold a large, recently completed painting of the US-Mexico border by Henry Taylor, priced at $175,000, to Paris’s Louis Vuitton Foundation
• the gallery sold two works by Robert Colescott from the ’70s ranging in price from $200,000 to $225,000

Alexander Gray

• sold a vivid 1972 abstract composition by Sam Gilliam to a German art foundation

Mnuchin Gallery 

• sold a crimson drape painting from 1970 to a European collector who had not previously owned any work by Gilliam. The work had been in the same private collection for more than 45 years

David Kordansky

• sold four works by Sam Gilliam listed at prices ranging from $800,000 to $2 million, according to the gallery

Some highlights from the comprehensive Art Basel sales report:

• a 2018 work by Mary Corse priced at USD 200,000 sold at Lehmann Maupin to a museum trustee in the US
• a large-scale installation by Carlos Cruz-Diez presented by Galeria Raquel Arnaud in the Unlimited sector sold for an asking price of USD 400,000 to an institution in Europe
• a work by Paul McCarthy sold at Xavier Hufkens for USD 1.5 million
• Elizabeth Price’s video installation sold at Grimm for GBP 35,000 to a New York private collection, among many others.
• a 2017 work by Mark Bradford sold at Hauser & Wirth for USD 2.5 million
• Zoe Leonard’s silver gelatin print sold for USD 50,000 at Galerie Gisela Capitain
• Yu Hong’s installation in the Unlimited sector presented by Long March Space sold for USD 1.73 million, among many others.

More detailed and comprehensive reporting on the fair is available to subscribers below.

More on the ground reports say the fair is subdued sales wise with some buyers reporting getting substantial discounts without much of a fight. The slow selling environment might account for some of the over-aggressive dealer claims like the talk coming from Hauser about their Guston and the over-ripe claims from Lévy Gorvy about their Joan Mitchell business.

Though Lévy Gorvy now says their untitled Mitchell work (above) has been sold and their representative claims one of the co-founders was mis-quoted when he said he’d sold several Mitchell works over the past few months in the mid-teens. “Dominque and Brett have been active in the Joan Mitchell market for a long time,” the rep says, “and have placed several works in the $10-15 million range over the last few years.”

Anny Shaw reports in The Art Newspaper that Kerry James Marshall made two sales at Art Basel for undisclosed prices:

Jack Shainman Gallery sold a new painting, Vignette (The Kiss) (2018), while David Zwirner sold Vignette #12 (2008); both pieces went to private US collectors.

Thaddaeus Ropac is reporting additional sales and offered this statement:

‘This year’s Art Basel stands out as one of the most successful for Galerie Thaddaeus Ropac in our history of participating at this pre-eminent fair. Even before the fair opened we noticed that interest and enthusiasm for what were bringing to the fair was at an all-time high and there was a sustained palpable excitement of both the discerning collectors and the significant number of important institutions on our stand. Art Unlimited has such a special role in making this week a priority for the ever-more international audience of Art Basel so we were thrilled that Robert Longo’s Death Star II was such a sensation this year whilst also leaving a legacy in terms of the percentage of the sale price supporting an important cause.’

• Georg Baselitz, Guter Abgang herunter, 2017 Oil on canvas 240 x 170 cm (94,49 x 66,93 in) SOLD FOR €500,000
• Daniel Richter, I should have known better, 2018 Oil on canvas 230 x 170 cm (90,55 x 66,93 in) SOLD FOR €200,000
• Georg Baselitz, Man sieht noch etwas, 2018 Oil on canvas 305 x 200 cm (120,08 x 78,74 in) SOLD FOR €550,000
• Adrian Ghenie, Untitled, 2017 Collage on paper mounted on wooden board 33,5 x 29,2 cm (13,19 x 11,5 in) SOLD FOR €150,000 TO EUROPEAN COLLECTOR
• Robert Rauschenberg, Plosion (Borealis), 1990 Tarnishes on brass 93,3 x 246,1 cm (36,75 x 96,875 in) SOLD FOR $1m TO EUROPEAN COLLECTOR
• Elizabeth Peyton, Hanyu (Yuzuru Hanyu), 2018  Oil on board 36 x 28,5 cm (14,17 x 11,22 in) SOLD FOR $475,000 TO PRIVATE EUROPEAN MUSEUM

The Master, Judd Tully, was prowling the aisles for ArtNews:

Matthew Marks Gallery

• Vija Celmins’s 1964 student work Untitled (Knife and Dish), modestly sized at 16 by 18 inches and seemingly inspired by Giorgio Morandi, sold for $1.2 million

Lisson Gallery

• Stanley Whitney: Untitled (1999), which sold for $400,000

Annely Juda gallery

• David Hockney’s nine-panel landscape The Big Hawthorn (2008), which London’s  sold for “an eight figure sum,” according to David Juda. “We were planning to show it,” the dealer said, “but we sold it before it got here.”

Sprüth Magers

• Kara Walker’s Another Ancestor (2010), a graphite and pastel work on paper that sold to an American collector for $125,000
• John Baldessari’s 1990 conceptual piece Four Types of Balance (with Basketballs), comprising black-and-white photographs and vinyl paint, sold for $550,000
• George Condo’s expressionistic Green and Purple Head Composition (2018)—with acrylic, charcoal, pastel, and pigment stick on linen—sold for more than $1 million

Xavier Hufkens

• Paul McCarthy’s CSSC Luncheon on the Grass (2015-18)—a multimedia styrofoam, light, wood, plants, sculpey, and paint—sold for $1.5 million
• Louise Bourgeois’s Maman (2009), a drawing of a female figure standing between a pair of breasts, for $100,000
• George Condo’s oil painting Portrait of an English Lady(2008) for $1.3 million
• Cathy Wilkes’s Untitled (2017) for £120,000 (or $160,500)
• Sterling Ruby’s 2018 abstraction Vert Nervous Plexus for $325,000

Mnuchin Gallery

• two important Sam Gilliam works that sold for undisclosed prices
• Sam Francis’s color-charged Untitled (White Line), from 1958-60, for around $475,000
• Mark Bradford’s dynamic 2001 painting You Must Have Fell and Hit Your Head—standing tall at some 6 by 7 feet—in the vicinity of its $3.9 million asking price
• Carl Andre’s 100 Copper Squares (1968)sold in the region of $2.8 million

Galerie 1900–2000

• Five Picabias sold at prices ranging from €55,000–€65,000 ($65,000–$76,000)—including a portrait of Carole Lombard, a storied movie star who died in a plane crash in 1942

Lévy Gorvy reported these sales without any prices

• JOAN MITCHELL Untitled, 1959 Oil on canvas 69 3/8 x 65 1/8 inches (175.2 x 165.4 cm)
• GEGO, Sin titulo, 1969 Ink on paper 21 5/8 x 19 ¾ (55 x 50.2 cm)
• LUCIO FONTANA, Concetto spaziale, 1955 Oil, ink, glass, and mixed media on canvas 25 1⁄2 × 19 11⁄16 inches (65 × 50 cm) Signed and titled l. Fontana / 55 (bottom right)/li>
• HENRI MATISSE, Arbre de neige, 1947 Gouache and découpage on paper 16 x 10 1⁄4 inches (40.6 x 26 cm) Signed H Matisse (lower right)
• MARTIAL RAYSSE, Portrait de Gabriella la jolie vénitienne1963 Mixed media on canvas 34 5/8 x 24 7/16 x 3 ¾ inches (88 x 62 x 9.5 cm)
• SERGIO CAMARGO, Sans titre (Relief No. 353), 1971 Painted wood relief 19 5/8 x 19 5/8 inches (49.8 x 49.8 cm)

Here’s Nate Freeman at Artsy:

Lisson Gallery

• A brand new Carmen Herrera painting, Arco (2018), sold for $550,000
• a work by Mary Corse, the 73-year-old Light and Space artist, for $375,000

David Zwirner

• sold an untitled painting by Joan Mitchell from 1958 to an Asian collection for an asking price of $7.5 million
• sold a work by the female artist Carol Bove during the opening of Unlimited for $1.5 million

Van de Weghe

• sold a giant Joan Mitchell diptych—No Room in the End (1977), 9 feet high and nearly 12 feet long—for an undisclosed price

Pace Gallery

• sold  David Hockney’s Chrysanthemums (1996) for $2.5 million

]

Freeman’s report has to be taken with a little caution when one reads this from his conversation with Iwan Wirth:”Philip Guston’s The Visit  (1955) went for what Wirth would only say was more expensive than the $16 million Mitchell he sold.”

In the first place, Hauser + Wirth is reporting their Mitchell at $14m. Second, The Visit was bought at auction in November for $8.35m. H + W ought to get a mark-up from that sale but it is highly unlikely it exceeded 100% of the gallery’s cost. Update: Several attendees report that H + W and is pushing the stroy that The Visit sold before the fair for close to $20m.

The early sales—both pocket sales and real ones on the stands—are trickling in. Collectors on the ground report “no fire works but steady business, apparently” reflecting the always gauzy nature of the art market’s transparency. We’re hearing that Sadie Coles sold an Elizabeth Peyton for $575k; Ropac sold one for $475k; and Gagosian has sold a Lichtenstein for $2.5m.

Hauser + Wirth announced this evening that its Joan Mitchell was sold for $14m to a European collection. The speed of the sale following on the success of another similar Mitchell at auction suggests the sale was arranged before the fair and concluded upon viewing.

Here’s what the galleries are reporting directly:

Thaddaeus Ropac

• Georg Baselitz  Noch kein Braun, aber Rosa, 2018 sold for €750,000 to a private collector
• Robert Rauschenberg, Ruby Re-Run (Spread), 1978  sold for $1.45M to a European Museum
• Robert Longo, Death Star II, 2017/2018, SOLD FOR $1.5M to a European Museum

Hauser & Wirth

• Joan Mitchell, Composition 1969 Sold for USD 14 million European collection
• Philip Guston ,The Visit No price given
• Louise Bourgeois,  The Three Graces Sold for USD 4,750,000
• Louise Bourgeois, Spider Home,  2002 No price given
• Mira Schendel Untitled , USD 1,200,000
• Pipilotti Rist,Your Eye Fluid  USD 175,000
• Günther Förg, Untitled  EUR 650,000 Sold to a private institution in Asia
• Alina Szapocznikow, Lampec. 1967 USD 950,000
• Alina Szapocznikow, Auto portrait 1967 USD 600,000

Jack Shainman

• The gallery sold works by Nina Chanel Abney, Titus Kaphar, Barkley L. Hendricks, and Lynette Yiadom-Boakye. All works went to important private collections

Lehmann Maupin

• McArthur Binion’s DNA: Transition, 2018, sold for $450,000 USD. The painting is featured in Art Basel Unlimited, Hall 1.1, Booth U53, presented jointly by Lehmann Maupin, New York and Hong Kong, and Massimo de Carlo, Milan, Hong Kong, and London
• McArthur Binion paintings, including Transition: One, 2017 priced at $300,000 USD and three additional works priced at $90,000 USD each

303 Gallery (New York)

• Doug Aitken, Future, 2017 Aluminium, stainless steel, plywood Sold for USD 350,000
• Mary Heilmann, Green Tube Whitewater, 2018 Acrylic on wood panel Sold for USD 150,000
• Tali Mandani, Mother Figure, 2018 Oil on linen Sold for USD 75,000
• Alicja Kwade, StillStand (Sterne rauchend), 2018 Porto Rosa granite, bronze Sold for EUR 65,000
• Sam Falls, Untitled (Neutra House, Los Feliz, CA., 1), 2018 Sold for USD 45,000
• Sam Falls Untitled (Neutra House, Los Feliz, CA., 2), 2018 Sold for USD 45,000
• Jacob Kassay, Untitled, 2018 Acrylic on canvas, oak, frame Sold for USD 45,000
• Alicja Kwade, Idol (300°), 2017 Brass on cardboard, framed Sold for EUR 42,000
• Kim Gordon, Pussy Galore, 2009 Acrylic on Canvas Sold for USD 20,000

von Bartha (Basel, S-chanf)

• Sophie Taeuber-Arp, Triangles, Cercles, Lignes, 1932 Gouache on paper 32 x 27 cm Sold for CHF 260,000 to a private Swiss collection
• Imi Knoebel, Schnitt, 10.03.2017 Sold to a private London-based collection for CHF 200,000
• Adolf Luther, Hohlspiegelobjekt, 1990 Square shaped concave mirror, grey, wooden plate, aluminium frame, Perspex cover 200 x 200 x 14 cm Sold for EUR 110,000
• Imi Knoebel, Elemente A. 1, 2017 Acrylic / aluminium, 5 parts 45.4 x 222 x 1 cm CHF 140,000

Blum & Poe (Los Angeles, New York, Tokyo)

• Yoshitomo Nara, OTAFUKU No.0 (Moon-faced Woman No.0), 2007 Ceramic Sold for USD 550,000
• Robert Colescott, A Winning Combination, 1974 Acrylic on canvas Sold for USD 200,000
• Ha Chong-hyun, Conjunction 15-172, 2015 Oil on hemp Sold for USD 200,000
• Henry Taylor, OXXO-Somewhere in Mexico but close to the BORDER, 2015-2018 Sold for USD 175,000 Sold to a museum in Europe
• Tony Lewis, Transition, 2017 Graphite, pencil, and colored pencil on paper mounted on wood Sold for USD 45,000 Sold to a private collection in Europe
  Mimi Lauter, Untitled (Devotional Flower Landscape), 2018  Soft pastel, oil pastel on paper Sold for USD 32,000 Sold to a private collection in Europe

Paula Cooper Gallery (New York)

• Sol LeWitt, 12 x 12 x 1 TO 2 x 2 x 6, 1990 painted wood 99 x 57 x 57 1/2 in. (251.5 x 144.8 x 146.1 cm) Sold for just under USD 1 million
• Several drawings by Sol LeWitt Each sold for a price in the range of USD 150,000 to 200,000

Goodman Gallery (Johannesburg, Cape Town)

• Yinka Shonibare MBE RA, Two sculptures Each sold for GBP 135,000
• William Kentridge, Six sculptures Each sold for a price in the range of USD 95,000 to 300,000
• A photography work by Shirin Neshat Sold for USD 70,000
• A painting by Mishek Masamvu Sold for USD 19,000

Galerie Max Hetzler

• Gunther Förg, Unlimited, 2005 Acrylic on canvas 195.5 x 230 cm Sold for around EUR 400,000
• Bridget Riley, Measure for Measure 6, 2016 Acrylic on canvas 156 x 156 cm Sold for GBP 400,000
  Adam Pendleton, The The The/ What is The, 2018 Silkscreen ink on Mylar Each: 96.5 x 73.7cm Sold for USD 135,000
• Raymond Hains Untitled, 2005 Bronze 260 x 54 x 54 cm Edition 2 AP Sold for EUR 100,000

Kadel Willborn (Dusseldorf)

• Barbara Kasten, Composition 8 T, 2018 Digital Chromogenic Print/ Fujiflex Chrystal Archive 160 x 121.9 cm Sold for USD 32,000
• Natalie Czech A poem by repetition by Emmett Williams 2, 2018 3 frames, 3 archival pigment prints 25.8 x 67 cm; 28.8 x 67 cm; 66 x 67cm; total dimension 120.6 x 67 cm Sold 5 + 2 AP editions for USD 11,000

David Kordansky Gallery (Los Angeles)

• Sam Gilliam, Repeat, 1971 acrylic on canvas Sold for USD 850,000
  Jonas Wood, Japanese Garden 2, 2018 oil and acrylic on canvas Sold for USD 400,000
• Mary Weatherford, Trap, 2018 Flashe and neon on linen Sold for USD 350,000
• Rashid Johnson, Untitled Broken Men, 2018 ceramic tile, mirror tile, spray enamel, oil stick, black soap and wax Sold for USD 150,000
• Michael Williams, Untitled, 2017 oil on canvas Sold for USD 150,000
• Tala Madani, Disco Pussy, 2018 oil on linen Sold for USD 120,000
• Jennifer Guidi, Hot and Bothered (Black Sand SF #1T, Yellow-Hot Pink-Orange Gradient Ground, Black), 2018 sand, acrylic, and oil on linen Sold for USD 120,000
• Harold Ancart, Untitled, 2018 oil stick and pencil on canvas with artist’s frame Sold for USD 110,000
• Kathryn Andrews Yellow Pop, 2018 stainless steel, aluminum, ink, and paint Sold for USD 95,000
• Ricky Swallow, Zig #5, 2018 patinated bronze and oil paint Sold for USD 48,000
• Ruby Neri Women in a Landscape, 2018 ceramic with glaze Sold for USD 35,000
• Torbjørn Rødland Poolside, 2017 chromogenic print Sold for USD 28,000
• Markus Amm, Untitled, 2018 oil on gesso board Sold for USD 25,000
• Calvin Marcus, me with tongue, 2017 oil stick, Cel-vinyl, liquid water color, and emulsified gesso on linen/canvas blend Sold for USD 24,000
• Torbjørn Rødland, Pink Pipe, 2018 chromogenic print Sold for USD 14,000

KOW (Berlin)

• Hiwa K, Pre-Image (Blind as the Mother Tongue), 2017 Single channel HD video, 16:9, colour, sound (with English language), 18 mins Sold two works for EUR 30,000 each
• Michael E. Smith, Untiled, 2018 Mixed media 63.5 x 142 x 29cm Sold three works priced between USD 15,000 – 30,000
  Candice Breitz, Hollywood Kids 349 – Anita Hill, 1996 Tippex on paper 17.5 x 10.5 cm
• Sold five works for EUR 10,000 each

Kukje Gallery/ Tina Kim Gallery (Seoul, New York)

• Ghada Amer, The Blue Bra Girls, 2012 Casted and polished stainless steel Sold for in the range of USD 320,000 – 380,000
• Louise Bourgeois, Les Arbres, 2004 Portfolio of eight drypoints; five on paper with hand colouring and three on cloth Sold for in the range of USD 220,000 – 280,000
  Ha Chong-Hyun, Conjunction 00-1-5 (A), 2000 Oil on hemp cloth Sold for in the range of USD 200,000 – 250,000
  Haegue Yang, Sol LeWitt Upside Down – Steel Structure, Scaled Down 27 Times, 2017 Aluminium venetian blinds, aluminium hanging structure, powder coating, steel wire, LED tubes, cable Sold for in the range of EUR 45,000 – 50,000

Lehmann Maupin (New York and Hong Kong) and Massimo de Carlo (Milan, Hong Kong, and
London)

• McArthur Binion, DNA: Transition, 2018 oil paint stick and paper on board 96 x 216 x 2 inches 243.8 x 548.6 x 5.1 cm Sold for USD 450,000

Lehmann Maupin (New York and Hong Kong)

• McArthur Binion, Transition: One, 2017 oil paint stick, ink, and paper on board 96 x 165.4 x 2 inches 243.8 x 420.1 x 5.1 cm signed, dated, and titled on verso Priced at USD 300,000
• McArthur Binion, Ink: Work: Violetta, 2018 oil paint stick, ink, and paper on board 72 x 48 x 2 inches 182.9 x 121.9 x 5.1 cm Priced at USD 90,000
• McArthur Binion, Ink: Work: Verde, 2018 oil paint stick, ink, and paper on board 48 x 72 x 2 inches 121.9 x 182.9 x 5.1 cm Priced at USD 90,000
• McArthur Binion Ink: Work: Vermillion, 2018 oil paint stick, ink, and paper on board 48 x 72 x 2 inches 121.9 x 182.9 x 5.1 cm Priced at USD 90,000
• Hernan Bas, The Gardener’s Scarf, 2018 acrylic on linen 72 x 60 inches 182.9 x 152.4 cm Priced at USD 150,000
• Lee Bul, Perdu III, 2018 mother of pearl and acrylic paint on lacquered wooden base panel with steel frame triptych, each: 31.5 x 23.62 x 2.36 inches (panel) 80 x 60 x 6 cm Priced at USD 175,000
• Teresita Fernández, Untitled (Fence), 2018 Mirror finished perforated stainless steel 79.75 x 76.24 x 4.5 inches 202.5 x 193.5 x 11.5 cm Priced at USD 350,000 Sold to member of the board at The Phoenix Art Museum.

Lisson Gallery (London, New York)

• Carmen Herrera, Arco, 2018 Acrylic on canvas 121.9 x 152.4 cm 48 x 60 in ​Sold for USD 550,000​
• Mary Corse, Untitled (White Multi Inner Band, Beveled), 2018 Glass microspheres in acrylic on canvas
  274.3 x 274.3 cm 108 x 108 in Sold for USD 375,000
• Ai Weiwei, Coca Cola Vase, 2012 Han Dynasty vase (206BC-220 AD) and paint 32 x 32 x 38 cm 12 5/8 x 12 5/8 x 15 in EUR 280,000
• Stanley Whitney, Untitled, 1999 Oil on linen 184.8 x 216.5 cm 72 3/4 x 85 1/4 in Sold for USD 400,000
• Shirazeh Houshiary Portal, 2018 Pigment and pencil on black Aquacryl on canvas on aluminium 120 x 120 cm 47 1/4 x 47 1/4 in Sold for GBP 125,000
• Laure Prouvost, The Hidden Paintings Grandma Improved – Forward Thinking, 2018 Oil on canvas 150 x 200 x 4 cm Sold for EUR 30,000

Kate MacGarry (London)

• Samson Kambalu, Mboya Series, 2016 Digital c-type prints on fuji paper 32.5 x 32 cm Sold 2 editions for GBP 15,000 each
• B. Wurtz, Pan Paintings, 2018 Aluminium Various dimensions Sold 2 sets of 3 for USD 6,000 each

Mitchell-Innes & Nash (New York)

• A sculpture by Max Ernst Sold for approximately USD 350,000
• Three works by General Idea Each sold for a price in the range of USD 15,000 to 300,000
• Three paintings by Eddie Martinez Each sold for approximately USD 100,000
• Pope.L, Alcohol Shelf (Archive Version), 2001-09 Bottles, re-constituted wine, stuffed animals, spills, rubber boot, photocopies, white-out, acrylic and wood shelf 68 1/4 by 99 3/8 by 9 1/4 in. (173.4 by 252.4 by 23.5 cm) Sold for approximately USD 100,000
• A mirror work by Monica Bonvicini Sold for approximately EUR 30,000
• A sculpture by Sarah Braman Sold for approximately USD 20,000

Galleria Franco Noero (Turin)

• Jac Leirner, Corpus Delicti (United), 1985-2018 Steel and nylon 113 x 19 x 5 cm Sold two works for USD 75,000
• Mario Garcia Torres, Who Said I Was All Nostalgia and No Fun?, n.d. Patinated bronze 81 x 66 x 68 cm Unique Sold for EUR 28,000 to a European Collector
• Lara Favaretto, Birdman or (The Unexpected Virtue of Ignorance), 2018 Sold for EUR 220,000

Pace Gallery (Beijing, Hong Kong, Seoul, London, New York, Palo Alto)

• David Hockney, Chrysanthemums, 1996 oil on canvas Sold for USD 2.5 million
• Robert Ryman, Large-small, thick-thin, light reflecting, light absorbing 22, 2008 acrylic, enamel and graphite on board on aluminum Sold for USD 650,000
• Robert Ryman Large-small, thick-thin, light reflecting, light absorbing 27, 2008
  Bin, enamel, epoxy and shellac on wood Sold for USD 650,000
• Lee Ufan, Dialogue, 2018 acrylic on canvas Sold for USD 350,000
• Arlene Shechet, No Doubt, 2018 glazed ceramic, painted, constructed walnut Sold for USD 60,000

Perrotin (Paris, New York, Hong Kong, Tokyo, Seoul)

18 paintings by Bernard Frize Each sold for a price in the range of EUR 30,000 to 150,000

Salon 94 (New York)

• Huma Bhabha, A cork sculpture Sold for USD 150,000
• Takuro Kuwata, 12 ceramic works Each sold for a price in the range of USD 8,000 to 28,000

Sprüth Magers(Berlin, London, Los Angeles)

• George Condo, Green and Purple Head Composition, 2018 Acrylic, charcoal, pastel and pigment stick on linen 208.3 x 198.1 cm Sold for over USD 1 million to an Asian Collector
• John Baldessari, Four Types of Balance (With Basketballs), 1990 B&W photographs, vinyl paint
  122 x 183cm Sold for USD 550,000 to a US Collector
  Barbara Kruger, Untitled (I WIN YOU LOSE), 2017 Print on vinyl 260 x 364 cm Sold for USD 450,000 to a European collection
• Rosemarie Trockel, Culture Dish, 2012 Ceramics, glazed 42 cm (diameter) x 18 cm high Sold for EUR 280,000 to a US collection
• Sterling Ruby, ACTS/ALPHA BLOCKER, 2018 Clear urethane block, dye, wood and formica Sold for USD 195,000 to US collection
• Kara Walker, Another Ancestor, 2010 Graphite and pastel on paper 182,9 x 205,7 cm Sold for USD 125,000 to a US Collector

David Zwirner (New York, London, Hong Kong)

• Carol Bove, Egg, 2018 Stainless steel, carbon steel, and urethane paint 136 x 127 x 76 inches (345.4 x 322.6 x 193 cm) Sold for USD 1.5 million
• Fred Sandback, Untitled (Sculptural Study, Seven-part Triangular Construction), c. 1982/2011
  Black acrylic yarn Situational: spatial relationships established by the artist; overall dimensions vary with each
  installation Sold for USD 475,000
• Francis Alÿs (In collaboration with Julien Devaux) Tornado, 2000-2010 Single channel video projection, 39 min, color, 5.1 surround sound Sold for USD 450,000

P420 (Bologna)

• Paolo Icaro, Cubical Molecular, 1978 Gesso/plaster 50 x 50 x 50 cm Sold for EUR 80,000
• Paolo Icaro, In Between, Twelve, 1978 Gesso/plaster 90 x 24 x 8 cm Sold for EUR 50,000
• Paolo Icaro, Misura Soffio, 1978 Gesso/ plaster Ø29 x 1 cm Sold for EUR 35,000

Richard Saltoun Gallery (London)

• Helen Chadwick, Wreath to Pleasure, 1992-1993 Cibachrome print on aluminium faced MDF in a glazed powder coated steel frame 110 (diameter) x 5 cm Sold for USD 50,000

Moran Moran (Los Angeles)

• Jacolby Satterwhite, Entertainment Center, 2018 Sold for USD 25,000

White Space Beijing (Beijing)

• Christine Sun Kim, Self Listening, 2018 Charcoal on paper Sold for USD 17,000 (four works as a set) Sold to an institution in the Middle East
• Christine Sun Kim, Suggested Amount of Getting A Baby’s Attention by Waving Hands or Stomping on Floor Instead of Using Voice, 2018 Charcoal on paper Sold for USD 11,000 Sold to a private collector in Europe
• He Xiangyu, Untitled, 2018 Aluminum, 99.9% pure gold, egg Sold for USD 720,000 Sold to a private collector in Europe

303 Gallery (New  York)

• Jeppe  Hein, Your Way  2017 Stainless  steel  and  aluminum Sold  for  EUR  250,000
• Sue Williams, Memory and Paint 2017 Oil on canvas 82 x 132 1/2 in.  (208.3  x  336.6 cm) Sold for USD 200,000
• Sue Williams Baghdad 2007 Oil  on  canvas 70 x 70 inches  (177.8  x 177.8 cm) Sold  for  USD  150 000
• Alicja Kwade Still Stand (Sterne  rauchend)  2018 Cosmic  black  granite   stainless  steel 74 x 53 1/8 x 118 1/8in  (188 x 135 x 300cm) Sold  for  EUR  68 000
• Sam Falls Untitled (Neutra House Los Feliz  CA. 5)   2018 Pigment  on  linen 90  x  66  inches  (228.6  x  167.6  cm) Sold  for  just  below  USD  45 000
• Alicja Kwade, Be-Hide  2018 Mirror stone 42 1/8 x 30 3/4 x 38 1/4 in. (107 x 78 x 97.2cm) Sold for EUR 32,000

Bergamin & Gomide (São Paulo)

• A  sculpture  by  Sérgio  de  Camargo Sold  for  USD  130 000
• Mira  Schendel, Untitled 1954 Gouache  and  watercolor  on  paper 10 1/8 x  7 3/4in.  (26 x 20  cm) Sold for USD 90,000
• Mira  Schendel, Untitled 1960s Oil pastel on cardboard 7 5/8 x 5 1/4in.  (19.5 x 13.5 cm) Sold  for USD  36,000
• Mira  Schendel, Untitled  1960s Oil pastel on cardboard 7 5/8 x 5 1/4in.  (19.5  x  13.5  cm) Sold  for  USD  36 000

Galerie Gisela Capitain (Cologne)

• Marcel  Odenbach, Nobody answered 2017/2018 Collage Xerox pencil ink on paper Sold for EUR 95,000
• Zoe  Leonard, Untitled 1987/2017 Silver Gelatine Print Ed. of 6 Sold for USD 50,000
• Ximena  Garrido-Lecca, Red Atarraya 2017 (from the series Aleaciones con memoria de forma) Woven copper copper tube Sold for USD 25,000

Mehdi  Chouakri  (Berlin)

• John Armleder, Wawa 2014 Mixed media on canvas 280 x 150 cm Sold for EUR 150,000

Peter Freeman Inc. (New York, Paris)

• Thomas  Schütte, Mann im Matsch mit Fahne  2008/2017 Cast patinated bronze on artist’s steel base 2 editions Each sold for EUR  250,000 to a private collector in the US

Hauser & Wirth  (Zurich, London, Somerset, Los Angeles, New York)

• Mark  Bradford, Battle (Trimmed Extra) 2017 Mixed media on canvas Sold for USD 2.5m
• Francis  Picabia, Les baigneuses femmes nues au bord de mer 1941 Oil on cardboard Sold  for USD 1.6 million

Hazlitt  Holland-Hibbert  (London)

• Eduardo  Paolozzi, Collage (Untitled) 1948 Collage with mixed media 36 x 60 in; 91.4 x 152.4cm Sold for GBP 380,000
• Eduardo  Paolozzi Untitled 1948 Collage with mixed media 14 ½ x 9 ½ in.;  37 x 24 cm Sold  for GBP 90,000

Alison Jacques Gallery  (London)

• Maria  Bartuszová, Untitled 1987 Plaster string wooden frame 68 x 57.5 x 13 cm Sold for EUR  150,000
• Dorothea  Tanning, Dantedore II 1982 Oil on canvas 81 x 65 cm Sold for USD 120,000
• Hannah  Wilkie, Untitled 1960 Pastel paint and pencil on board 50.8 x 75.9 cm Sold for USD  95,000
• Maria  Bartuszová, Untitled 1969-71 Aluminium 100.5 x 28 x 14 cm Sold for EUR 90,000
• Hannah  Wilkie, Untitled 1984 4 painted ceramics Sold for USD 85,000

Kukje Gallery/Tina Kim Gallery (Seoul   New  York)

• Kwon Young-Woo, Untitled 1980s Gouache Chinese ink on Korean paper Sold for in the range  of USD 100,000 – 150,000
• Kyungah Ham, What you see is the unseen/Chandeliers for Five Cities DSC02-D-03-L 2016 North Korean hand embroidery silk threads on cotton middle man secret code bribe tension anxiety censorship ideology wooden frame approx.1200 hours/1 person Sold for in the range  of USD 75,000 – 115,000

Lévy Gorvy  (London, New York)

• Joan Mitchell, Untitled 1959 Oil on canvas 69 3/8 x 65 1/8 in (175.2 x 165.4 cm) Asking price in the region of USD 14 million

Long  March  Space  (Beijing)

• Yu Hong, Old Man Yu Gong Is Still Moving Away Mountains 2017 Acrylic on canvas Overall dimensions 500 x 900 cm Sold for USD 1.73  million

Fergus McCaffrey  (New  York)

• Mario  Schifano, Per La Strada – Ma Tutto Finto 1963 Sold for USD 525,000

Almine Rech Gallery  (Brussels   Paris   London   New  York)

• George  Condo, Autumn in Soho 2011 Oil on canvas 198 x 254 cm 78 x 100 in. Sold for USD  2.5 million to an Asian Collector
• Richard  Prince Untitled (Cowboy) 2001 Ektacolour photograph 226 x 158  cm (framed) 89 x 62 1/5  in. (framed) Sold for USD 2 million to a European Collector
• Tom Wesselmann, Study for Blue Nude #8 2000 Oil on canvas 97.8 x 111.8 cm 38 ½ x 44  in. Sold for USD 550,000 to a European Collector

Galerie Thaddaeus Ropac (London, Paris, Salzburg)

• Robert  Rauschenberg, Plosion (Borealis) 1990 Tarnishes on bras 93.3  x 246.1 cm  (36.75  x  96.875 in) Sold for USD 1 million to a European Collector
• Georg Baselitz, Man sieht noch etwas 2018 Oil on canvas 305 x 200 cm (120.08 x 78.74 in) Sold for EUR 550,000
• Elizabeth Peyton, Hanyu (Yuzuru Hanyu) 2018 Oil on board 36 x 28.5 cm  (14.17 x 11.22 in) Sold for USD 475,000 to a private European Museum
• Adrian Ghenie, Untitled 2017 Collage on paper mounted on wooden board 33.5 x 29.2 cm  (13.19 x 11.5 in) Sold for EUR 150,000 to a European collector

Galerie  Rüdiger  Schöttle (Munich)

• Rodney Graham Dead Flowers in My Studio 3” 2017 Bemalter Fotoleuchtkasten 121 x 98.1 x 17.8 cm Sold for EUR 155,000
• Thomas  Ruff, r.phg.13_1 2015 Chromogener Abzug 171 x 301 cm Edition von 4 Sold for EUR 100,000
• Ma Ke, Two Trees 2018 Oil on canvas 200 x 150 cm Sold for EUR 52,000

Sfeir-Semler  Gallery (Hamburg   Beirut)

• Walid Raad,  Letters to the Reader_023 2017 Wood paint 244 x 122 x 10cm Edition of 1 + 1 Sold for around USD 70,000
• Four aquarelles on paper by Marwan Each sold for in the region of USD 35,000 to 40,000

Sprüth  Magers (Berlin   London   Los  Angeles)

• Andreas Gursky, El Ejido 2017 Inkjet print diasec 232.6 x 407.6 x 6.4 cm (framed) Edition of 6 Sold for EUR 900,000 to an Asian collection

Templon  (Brussels, Paris)

• Franz Ackermann, Little Sky 2016 Oil on canvas 210 x 160 cm Sold for EUR 125,000

Chiharu  Shiota 

• Sold  several  works  ranging  between  EUR  25 000  –  100 000

Claude  Viallat

• Sold  several  works  ranging  between  EUR  20 000  –  60 000

Michael Werner Gallery (New  York   London   Märkisch  Wilmersdorf)

• Sigmar Polke Priced at USD 4.5 million Sold to a new collector based in Europe
• Sigmar Polke Priced at USD 1.5 million Sold to a new American collector
• Per Kirkeby (Painting) Priced at USD 550,000 Sold to a new American collector

hunt kastner (Prague)

• Sold nine works by Dalibor Chatrny for between EUR 2,200 and 3,300 each

Galeria Nara Roesler (São  Paulo   Rio  de  Janeiro   New  York)

• Three works by Paulo Bruscky Each sold for prices from USD 15,000 to 40,000

Antoine Levi (Paris)

• Alina  Chaiderov 1984 Hors d’oeuvre 2018 C-print on Hahnemülhe paper golden aluminum  frame 12.5 x 10 cm Edition of 3 Sold for EUR 2,600
• Alina  Chaiderov, 1984 Caress  2018 C-print on Hahnemülhe paper golden aluminum frame 12.5 x 10 cm Edition of 3 Sold for EUR 2,600
• Lewis  Hammond, 1987 Ménagerie  2018 Oil on canvas 30 x 20 cm Unique Sold for EUR 2,300
• Louis  Fratino, 1993 Glass with flower 2018 Sanguine on paper 29 x 19 cm Unique Sold  for  EUR  1 200
• Louis  Fratino, 1993 Tristan reading 2018 Sanguine on paper 29 x 19 cm Unique Sold for EUR  1,200

303 Gallery (New York)

• Tala Mandali, Mother Figure, 2018 Oil on linen 55 x 44 in. (139.7 x 111.8 cm) Sold for USD 75,000
• Alicja Kwade, StillStand (Sterne rauchend), 2018 Porto Rosa granite, bronze 79 x 50 x 99 1/2 in. (200.7 x 127 x 252.7 cm) Sold for EUR 68,000
• A work by Sam Falls  Sold for USD 45,000

Applicat-Prazan (Paris)

• Georges Mathieu, Hommage au Connetable de Bourbon, 1959 Oil on canvas 250cm x 600cm Sold for EUR 2 million to a Private Collector

Blum & Poe (Los Angeles, New York, Tokyo)

• Carroll Dunham, Hers (Finding Water), 2006-2010 Mixed media on canvas 40 x 72 inches (101.6 x 182.9 cm) 42 3/4 x 74 3/4 inches framed (108.6 x 189.9 cm) Sold for USD 300,000
• Robert Colescott , Oh Byzantium, Oh!, 1978 Acrylic on canvas 84 x 66 x 1 5/8 inches (213.4 x 167.6 x 4.1 cm) Sold for USD 200,000
• Yoshitomo Nara, Regent Dog, 2012 Bronze 20 1/4 x 11 x 14 inches (51.5 x 28 x 35.5 cm)  Edition 2 of 3, 2AP Sold for USD 175,000
• Yoshitomo Nara, Regent Dog, 2012,Bronze,20 1/4 x 11 x 14 inches (51.5 x 28 x 35.5 cm) Edition 3 of 3, 2AP,Sold for USD 175,000
• Henry Taylor, Gucci Cucci, 2018 72 x 52 x 2 inches (182.9 x 132.1 x 5.1 cm) Acrylic on canvas Sold for USD 80,000
• Wendell Dayton, For Calder, 1975 Stainless steel and wood base 37 1/4 x 24 x 9 inches (94.6 x 61 x 22.9 cm) Sold for USD 35,000

Galleria Continua (San Gimignano, Beijing, Les Moulins, Havana)

• Michelangelo Pistoletto, Rottura dello specchio – azione 4, 2017 Sold for EUR 550,000
• Chen Zhen, Un Village sans frontieres, 2000 Sold for EUR 185,000
• Pascale Marthine Tayou, Colorful Stones, 2018 Sold for EUR 85,000

Xavier Hufkens (Brussels) 

• Paul McCarthy, Luncheon on the Gradd, 2015-18 Styrofoam, light, wood, artificial plants, sculpt, paint Sold for USD 1.5 million
• Sterling Ruby, Vert Nervous Plexus, 2018 Acrylic, oil, treated fabric and cardboard on canvas Sold for USD 325,000 
• Cathy Wilkes, Untitled, 2017 Sold for GBP 120,000
• Louise Bourgeois, Maman, 2009 Gouache and pencil on paper Sold for USD 100,000

Lehmann Maupin (New York and Hong Kong)

• Mary Corse, Untitled (White, Black, Beveled), 2018 glass microspheres in acrylic on canvas 71.1 x 304.8 cm Priced at USD 200,000 Sold to a museum trustee in the US
• Shirazeh Houshiary, Beguile, 2018 pigment and pencil on black aquacryl on canvas and aluminum 120 x 120 cm Priced at GBP 125,000  Sold to a collector based in China
• Kader Attia, Untitled, 2018 canvas, broken mirror, ebony powder, and antique Dogon mask with metal stand 200 x 200 x 6.5 cm (canvas) 47 x 23 x 11 cm (mask) 140 x 25 x 20 cm (stand) Priced at EUR 125,000 Sold to a European collector
• Lee Bul, Perdu XI, 2018 mother of pearl and acrylic paint on lacquered wooden base; panel with steel frame triptych, each: 80 x 60 x 6 cm (panel) Price Range USD 150,000 – 200,000 Sold to a European collector
• Cecilia Vicuna, Budas en la Cordillera de los Andes, 1973 acrylic on linen 85.1 x 72.4 cm Price Range USD 90-100,000 
• Cecilia Vicuna, Pongo la Mano al Fuego para ti, 1969, 1972 oil on fabric 72.4 x 59.1 cm Price Range USD 80-90,000 
• Nicholas Hlobo, Umhloli Womkhondo, 2017 ribbon and leather on canvas 150 x 100 cm Priced at USD 70,000
• Alex Prager ,Deborah, 2009 c-print 91.4 x 125.7 cm Edition of 5 with AP 1/2 Certificate of Authenticity included Priced at USD 30,000-50,000

Galerie Eva Presenhuber (Zurich, New York)

• Doug Aitken, Horizons and Borders, 2018  Chromogenic transparency on acrylic in aluminum lightbox with LEDs  Ed. 1/4 + 2 AP 172.5 x 316 x 18 cm (67 7/8 x 124 1/2 x 7 in.)  Sold for USD 250,000

Sies + Hoke (Dusseldorf)

• Marcel Dzama, Welcome to the land of the gun, 2018 Acrylic, gouache, graphite, ink and collage on paper Sold for USD 60,000

Galerie St. Etienne (New York)

• Egon Schiele, Female Nude, Back View, 1918 Black crayon on tan wove paper. Signed and dated, lower right. Estate stamp, verso.  18 1/8 x 11 3/8 in. (46 x 28.9 cm) Kallir D. 2404. Sold for approximately EUR 300,000
• Gustav Klimt, Pregnant Woman and Man, 1903-04  Blue crayon on heavy tan wove paper. 17 5/8 x 12 1/8 in. (44.8 x 30.8 cm) Study for the painting Hoffnung I (Hope I; Weidinger 171). Strobl 958. Sold for approximately EUR 100,000
• Gustav Klimt, Standing Female Nude with her Left Hand to her Chin, circa 1913 Pencil on thin cream wove paper. Signed, lower right.  22 3/8 x 14 5/8 (56.8 x 37.1 cm)  Study for the painting Die Jungfrau (The Virgin; Weidinger 214). Strobl 2198.  Sold for approximately EUR 100,000 
• Ernst Ludwig Kirchner, Sailboats near Fehmarn, 1914 Woodcut, worked over in ink, on heavy cream Japan paper. Signed, lower right, and inscribed “Segler” (Sailors) by another hand, lower left.  16 3/8 x 15 7/8 in. (41.6 x 40.3 cm)  One of about 20 known impressions from this state; hand-printed by the artist. Gercken 710/II. Sold for approximately EUR 50,000 
• Ernst Ludwig Kirchner, Dance Group (Three Dancers), circa 1910  Pencil on cream wove paper. Numbered 15, verso.  8 1/4 x 6 1/4 in. (20.7 x 15.8 cm) Registered with the Ernst Ludwig Kirchner Archive, Wichtrach/Bern, Switzerland Sold for approximately EUR 20,000 
• Käthe Kollwitz, Self-Portrait, 1921 Etching on thin off-white laid paper. Signed, lower right.  8 1/2 x 10 1/2 (21.6 x 26.6 cm) Edition for the portfolio “Selbstbildnisse/Deutscher Graphiker/Sechs Radierungen,” Verlag von (Published by) F. Bruckmann, Munich. Outside the numbered edition of 120 impressions on this paper. Knesebeck 171/VIc.  Sold for approximately EUR 5,000 

David Zwirner (New York, London, Hong Kong)

• Joan Mitchell, Untitled, 1958 Sold for a sum in the region of its asking price of USD 7.5 million 
• Galeria Raquel Arnaud (São Paulo)
• Carlos Cruz-Diez, Translucent Chromointerferent Environment, 1974/2009   Sold for an asking price of USD 400,000 to an institution in Europe 

Grimm (Amsterdam, New York)

• Elizabeth Price, KOHL, 2018  Four-channel video installation, duration: 8 minutes Edition 3/3 + 2 AP Sold for GBP 35,000 to a New York private collection

Upstream Gallery (Amsterdam)

• Marinus Boezem, Show I, Air as a Spatial Ideal, 1964 Felt pen and collage on paper (13 parts)  Sold for EUR 75,000 to a US collector
• Marinus Boezem, Show II-XV, 1964-1969 Stencils and photography (14 parts) Sold for EUR 17,500 to a Dutch collector