Lawyer Nicholas O’Donnell reports on the publication of research into the behavior of the Bavarian government which seems to have violated the basic principles of art restitution:
Journalists Catrin Lorch Jörg Häntzschel published this weekend an explosive revelation in Sueddeutsche Zeitung entitled “the Munich Looted Art Bazaar,” reporting on the work of the Commission for Looted Art in Europe (CLAE): the government of Bavaria sold artworks returned to it after World War II by the famed Monuments Men that were supposed to be restituted to the victims of Nazi looting. Not only was the art given back to the German state on the explicit condition that it be restituted to the victims of Nazi art plunder, in some cases it was literally returned to the families of Nazi officials, such as Emmy Goering (Hermann’s daughter) and Henriette von Schirach rather than to the victims themselves. Less than a month after the Federal Republic of Germany’s toxic and revisionist reply brief in the Welfenschatz case (which argued, among other things, that individual claimants cannot sue because the U.S. policy was this national level restitution), the ramifications are far reaching for Germany’s self-professed adherence to the Washington Conference Principles on Nazi Looted Art of 1998. While the specific artwork in question may be less significant than most of the works found in Cornelius Gurlitt’s apartment four years ago, the revelation is in many ways much, much worse.