Art Market Monitor

Global Coverage ~ Unique Analysis

  • AMMpro
  • AMM Fantasy Collecting Game
  • Podcast
  • Contact Us

Art Crash Casualty Anslem Reyle Retired but His Work Limps On in Secondary Market

February 12, 2015 by Marion Maneker

anselm_reyle_untitled6

James Tarmy does an excellent job charting Anselm Reyle’s fall from grace. And there were very real problems with Reyle’s production volume. Nonetheless, as Tarmy shows in his discussion of Tom Sachs’s market, art will only be an asset (sorry, Adam) when buyers accept that prices can—and should—go down from time to time. For Sachs, Tarmy suggests a 60% sell-through rate is anathema. And it is in today’s current heavily managed markets.

“People don’t like artists whose price goes down,” says gallery owner and collector Adam Lindemann, who owns a work by Reyle. “The art market died in 2009 for about a year, and there were some casualties. Reyle was a noteworthy one, and so the art market selected him as a pariah.”

[…]

[Peter] Marino and Lindemann blame Reyle’s decline on overproduction and fickle speculators. Westreich has a harsher take. “Let’s get to the real issue: Sooner or later, the art world comes to its senses,” she says. “Some artists look interesting for a period, maybe it’s a month or maybe it’s a year, but what happens is that things sort themselves out.” […]

Marino still owns 14 Reyles, which he calls beautiful. “The art market is, unfortunately, closely allied with the fashion market,” he says. “Just like handbags are in style, and then two years later they’re not, an artist’s in, then he’s out. But I don’t follow that. Now that I’m 65, I go, ‘Who cares?’ ”

Someone shares Marino’s point of view because Tarmy offers these numbers:

At the most recent sale of his artwork, in December 2014 at Phillips in London, an untitled 2006 purple crinkle work sold for about $66,000—$30,000 less than the same piece fetched four years ago.

The striking thing here is that the work sold at all, let alone for $66k. Reyle’s market may be a shadow of the pre-crisis boom. But there’s still a market.

The Dangers of Investing in Art: Anselm Reyle’s Decline  (Bloomberg Business)

More from Art Market Monitor

  • A Ten-X Thursday in the Art MarketA Ten-X Thursday in the Art Market
  • Long After Gurlitt Affair, Germany Looks to Private Collectors for Works That Ought to Be RestitutedLong After Gurlitt Affair, Germany Looks to Private Collectors for Works That Ought to Be Restituted
  • ArtBasel Hong Kong: The Stands on InstagramArtBasel Hong Kong: The Stands on Instagram
  • Doig’s Victory Not Much of a Win for ArtistsDoig’s Victory Not Much of a Win for Artists
  • Colleges Join the Museum Building RaceColleges Join the Museum Building Race
  • Miami MOCA Moves Out, Leaves Collection in LimboMiami MOCA Moves Out, Leaves Collection in Limbo

Filed Under: General

About Marion Maneker

Want to get Art Market Monitor‘s posts sent to you in our email? Sign up below by clicking on the Subscribe button.

Top Posts

  • Keith Haring’s 1989 Retrospect Comes to Sotheby’s London Prints Sale
  • British Modernists Draw Deep Bidding in Christie's $42 M. London Sales
  • Tony Podesta's Secret Art Buying
  • Four of Picasso's Women Valued at $28m Come to Christie's from Rose-Walters Collection
  • Norman Rockwell's Not Gay. But Is He a Great Artist?
  • $10 M. Picasso Portrait Unseen for Decades to Sell at Bonhams
  • How to Chant Like an Auctioneer
  • Roy Lichtenstein’s Top Ten Auction Prices
  • Christie’s to Sell Its First Fully Digital Work of Art in Test of Emerging Market
  • Phillips to Showcase Helen Frankenthaler at Southampton Outpost
  • About Us/ Contact
  • Podcast
  • AMMpro
  • Newsletter
  • FAQ

twitterfacebooksoundcloud
Privacy Policy
Terms & Conditions
California Privacy Rights
Do Not Sell My Personal Information
Advertise on Art Market Monitor