Art Market Monitor

Global Coverage ~ Unique Analysis

  • AMMpro
  • AMM Fantasy Collecting Game
  • Podcast
  • Contact Us

The Aftermarket for Gerhard Richter’s Digital Inkjet Prints from the Tate

June 30, 2014 by Marion Maneker

 

Richter, Cage IV (897-4)
Richter, Cage IV (897-4)

Jan Dalley observes the shifting roles of the art world in the FT and spots this interesting proliferation of museum gift shop material into marketable work. It’s hardly the first instance—think of the Koons balloon dog plates—but even more interesting for being divided into a grid:

Almost the only certainty is that public galleries are not (yet) selling art straight off their walls. Even so, Tate Modern sailed pretty close to that possibility when, in the shop at the exit of its magnificent Gerhard Richter retrospective in 2012, a full-size digital ink-jet version of one of the mighty abstract canvases in the show, “Cage IV”, was for sale. The price was £48,000, for all 16 parts of the “grid” into which it was divided. I saw one of the edition of 9 on sale at an art fair last month – with vastly higher price tag.

Winners and losers from the art market’s new rules (FT.com)

More from Art Market Monitor

  • San Francisco Buys African American ArtSan Francisco Buys African American Art
  • Phillips London New Now = £2.49mPhillips London New Now = £2.49m
  • Why Paris is the Capital of the ‘Tribal Art’ MarketWhy Paris is the Capital of the ‘Tribal Art’ Market
  • Free AccessioningFree Accessioning
  • On the LamOn the Lam
  • Sotheby’s OM = $101mSotheby’s OM = $101m

Filed Under: Artists

About Marion Maneker

LiveArt

Want to get Art Market Monitor‘s posts sent to you in our email? Sign up below by clicking on the Subscribe button.

  • About Us/ Contact
  • Podcast
  • AMMpro
  • Newsletter
  • FAQ

twitterfacebooksoundcloud
Privacy Policy
Terms & Conditions
California Privacy Rights
Do Not Sell My Personal Information
Advertise on Art Market Monitor
 

Loading Comments...