The New York Times somewhat sniffly allows that Los Angeles might have a role to play in the international art world:
for many Los Angeles artists and critics, this exhibition is a long-needed accounting of the emergence of the region as an art capital in the same league as New York, Berlin and London. Indeed, Los Angeles these days has more than its share of ambitious museums, adventurous art galleries, wealthy collectors, top-notch art schools and — perhaps most important — young artists drawn here by relatively cheap rents, abundant light and an atmosphere that encourages experimentation.
“Since 1980 the art world has become global — New York is not the epicenter,” said Peter Plagens, a painter and essayist who has worked extensively in Southern California and who was here for some of the openings. “So L.A. is kind of doing this joust: ‘We want our art history to be in the books.’ ”