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Inka Essenhigh Chooses a Medium

September 22, 2009 by Marion Maneker

Inka Essenhigh’s work peaked on the auction market in 2005, followed by some sales in 2006 and 2007 that looked like they might put a new floor under her prices. But the credit crisis shut down her auction sales. Later this week, Phillips de Pury will try again with a sub-£5000 offering. Meanwhile, the Guardian has her take on what’s involved in painting:

Yellow Fall, Inka EssenhighI stopped painting in oil for a time and started using enamel. At the time I needed to get away from all that history, that search for deeper emotions. I needed to drop all the baggage that comes with oil paint and do something completely contemporary, which I found in the slick, bright, flat surfaces of enamels. I have always had a strong style; even when I’ve painted things differently, you can always tell they are by me. I am attracted to moody, muddy colours and I like twilight. I might decide to paint daylight, but I prefer a moodier palette.

Inka Essenhigh on How She Paints (Guardian)

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