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Previewing The Sales, part 1

October 30, 2008 by Marion Maneker

The New York Times Is First Out of the Gate

Carol Vogel had this column in Sunday’s Arts and Leisure section.

A $60 million painting by Kazimir Malevich. A $40 million self-portrait by Francis Bacon. It hardly seems the ideal moment to be selling such pricey art. As Sotheby’s, Christie’s and Phillips de Pury brace for their big fall auctions in New York, starting with a sale of 71 Impressionist and Modern paintings, drawings and sculptures at Sotheby’s on Monday night, anxiety is the dominant mood. [ . . . ] Much of the art up for auction this week and next was secured early in the summer, when the world seemed a far different place. Now, with the net worth of so many buyers plummeting, auction houses have been trying to persuade sellers to lower their reserves, that is, the undisclosed minimum price that a bidder must meet for the art to be sold.

“Prices of all assets have fallen — stocks, gold, oil, real estate — and it would be unrealistic to expect works of art to be immune to the market’s pressures,” said Marc Porter, president of Christie’s in America. “We are actively encouraging consignors to set reasonable reserves.”[ . . . ]As for buyers, the message is a little trickier. With them, Mr. Porter said, Christie’s is making the argument that the objects they desire “might not reappear on the market next season at an even lower price.” [ . . . ] “Americans who fled when prices began soaring will jump back into the market but at a different price level,” said Tobias Meyer, Sotheby’s head of contemporary art. Among the standouts in the fall lineup at Sotheby’s are paintings like Edvard Munch’s “Vampire” (1894), priced to bring more than $35 million, and an Yves Klein wall relief estimated at more than $25 million. Christie’s is offering a 1934 portrait of Picasso’s mistress Marie-Thérèse Walter estimated at $18 million to $25 million and a Basquiat painting at $12 million and $16 million. “I still hold the belief that the great works will find buyers,” said Guy Bennett, of Christie’s.

Tapped Out? (The New York Times)

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Filed Under: Uncategorized Tagged With: Christie's, Contemporary, Impressionist, Modern, New York, Sotheby's

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