Laura Roughneen is postgraduate researcher studying the international contemporary art market and a fine art graduate with a key interest in the portrayal of artists at fairs. Here are three artists that peaked her interest at Frieze:
Jannis Varelas
New works from the Caliban Project by Jannis Varelas were on show at The Breeder. Usually known for his works on paper, Varelas has progressed with his Caliban Project onto the canvas.
According to the gallery “The name Caliban refers to a character in William Shakespeare’s “The Tempest” and is an anagram of the word “cannibal”. As a native living on an exotic island Caliban experiences a colonial domination from the shipwrecked Prospero who enslaves him.”
Set in a tropical environment, Varelas’ works include large-scale hybrid characters of man, woman or animal acting as paradoxes of alienation in a culture of fixed male and female identities. Familiar objects and characteristics become strange and unsettling. According to the gallery “the use of the mask and animation of the objects have a symbolic and spiritual value in many colonized cultures.” Appropriating imagery from diverse sources, Varelas’ work is a contemporary and humorous commentary on “everyday life experiences of hierarchical divisions.”
If you’re still in London, Varelas has selected mixed media collage work on show at The Saatchi Gallery until November 3rd.
Matt Mullican
Matt Mullican was on show alongside his former professuer John Baldessari at Mai 36. While Mullican has had recent press for his large and fascinating drawing installation at the Venice Biennale this year, Mai 36 presented an understated yet impressive selection of works including a selection of 9 gouache on handmade paper works exploring some of the most fundamental elements to Mullican’s work. What is special to me about these works is that they give a glimpse into Mullican’s artistic process.
According to Mai 36, Mullican has
Stemming from circa 1982, these small works shown together resemble cells of the elements intrinsic to Mullican’s practice in form, colour exploration and symbolism. Unlike much of the big’n’bold work we see at art fairs, this quiet presentation entices the viewer to engage and question the artist’s practice as a means of understanding his oeuvre.
Frame
In the Frame section, LA based gallery Various Small Fires were showing Andrea Longacre-White. Exploring the tension between analog and digital, Longacre-White scans the ipad, confusing the sensor when the light touches the responder and capturing the scroll of the page, creating a visualization of the digital space between. Remnants of person and touch remain on the pad scans created in the artist’s studio, reminding the viewer of the human presence in the technological atmosphere. Rihzome captured a wonder aspect of her work beautifully in an interview: